{"title":"Drawing","description":"","products":[{"product_id":"regina","title":"Regina: Regina Cassolo Bracchi","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eReference monograph dedicated to Regina Cassolo Bracchi, one of the most fascinating, innovative, and to this day lesser-known figures of the European artistic panorama of the twentieth century.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe book aims to analyze the formal reflection of a unique personality, one who has wrongly remained in the margins of history and who has now been rediscovered as a complex, experimental, versatile, and poetic figure.\u003cbr data-mce-fragment=\"1\"\u003eThe lightness of materials, the dynamism of form, a language made up of geometric synthesis and lyrical abstractions bring her works to life, coupled with her strong-willed and rigorous everyday practice.\u003cbr data-mce-fragment=\"1\"\u003eMore than two hundred works—including sculptures, mobiles, drawings, paper models, and notebooks—guide us along an itinerary that unfolds through themes and eras, intertwining her contacts with the avant-garde movements and her biographical events, from the Fascist era through to the postwar boom years. With essays by Christine Macel, Lorenzo Giusti, Chiara Gatti, Paolo Campiglio, Paolo Sacchini, and a photographic project by Delfino Sisto Legnani.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis monograph is published to mark the donation of a substantial works by Regina Cassolo Bracchi to the Centre Pompidou in Paris and the GAMeC in Bergamo, presented in the exhibitions Regina. Della scultura at GAMeC and Elles font l'abstraction at the Centre Pompidou in 2021, followed by the Guggenheim Museum Bilbao in 2021-2022.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eBorn in Mede Lomellina, the daughter of a butcher and orphaned at a young age, Regina (Regina Cassolo Bracchi, 1894-1974) was the first woman of the Italian vanguard to focus entirely on sculpture, of which she reinterpreted the language in a daring and experimental manner, drawing on academic and naturalistic research and applying it to her original use of materials. Aluminum, iron wire, sandpaper, tin, and tinplate were the favored media in a constant compositional and expressive investigation which initially embraced the sphere of Futurism (in 1934 she undersigned the Manifesto tecnico dell'aeroplastica futurista) and then that of the MAC, the \"Movimento arte concreta\" (1948), which Regina approached in 1951 through Bruno Munari.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eGamec Books, 2021\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eItalian, French, English\u003cbr\u003eSoft cover, 488 pages\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e270mm x 200mm\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"SONNU","offers":[{"title":"Default Title","offer_id":41195525996727,"sku":"","price":109.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/products\/17_b254a487-3357-440d-88ae-324c2d3a566c.png?v=1650948274"},{"product_id":"making-past-present-cy-twombly","title":"Making Past Present -   Cy Twombly","description":"","brand":"BOOKS AT MANIC","offers":[{"title":"Default Title","offer_id":41249372569783,"sku":"","price":120.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/products\/1_6118dd4a-a727-4254-862a-c2d412d9b336.jpg?v=1655445691"},{"product_id":"for-a-random-structuring-of-space-diet-sayler","title":"Diet Sayler: For a Random Structuring of Space","description":"\u003cp\u003eThe Parkour series introduces themes, concepts and seminal encounters for the activity of outstanding artists in the field of visual and performative arts in Romania, which enabled them to produce an unparalleled body of work. The series looks at a limited array of artistic projects and experiences, through the use of interview as an unmediated recording instrument. The interview format accommodates the reader with the particular spatial and material conditions of their practice, with the personal beliefs and the ongoing process of conceptualising their work. Parkour thereby distill significant aspects of the recent cultural history, bringing back to the fore the role of memory in capturing the kernel of an artistic time, of an artwork, of a conceptual turn. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDiet Sayler was born in 1939 at Timişoara and has lived in Nuremberg since 1973. He is one of the leading figures of the Romanian artistic Neo avant - garde of the 1960s–1970s. Within this time period, he settled on a visual language deeply rooted in mathematics, architecture, movement, seriality and music, subjects which have been of an unceasing concern to him. Sensitive to the principles of constructivism and the synthetic theories of geometric abstraction, Diet Sayler has strived to develop an aesthetic of the “rigor,” translated in an operational system based on the dialectic of contrasts and on the introduction of a new constant: chance. His early series of works include Monotypes (1963–1967), Arhythmical Compositions I–XII (1968–1969), Serial Compositions (1971–1972). The Kinetic Rooms he created at the Technical Club in Piteşti (1971–1972) illustrate his concern with the dynamics of structures, subsequently integrated in an urban or natural environment. His spatial installations Five Wooden Bars (1976–1988) or the series of Norigrammes (1997–1998) reflect his endeavour to “sculpture” the air, to permute the elements in relation to their surroundings, surprising the viewer with their presence in unexpected places, with unsuspected poetical meanings. In parallel, Diet Sayler has carried out a significant academic and theoretical activity as Professor at the Academy of Fine Arts in Nuremberg from 1992 to 2005.\u003c\/p\u003e\n\u003cp\u003ePublication concept and editors: Alina Şerban \u0026amp; Ştefania Ferchedău\u003cbr data-mce-fragment=\"1\"\u003eProofreading: Alina Ioan\u003cbr data-mce-fragment=\"1\"\u003eTranslation: Claudia Lie\u003cbr data-mce-fragment=\"1\"\u003eDesign: Radu Manelici\u003cbr data-mce-fragment=\"1\"\u003eImage processing: Aurelian Ardeleanu\u003cbr\u003e\u003cbr\u003eInstitute of the Present, 2019\u003cbr\u003eEnglish, Romanian \u003cbr\u003eSoftcover\u003cbr\u003e156mm x 229mm\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"MOTTO","offers":[{"title":"Default Title","offer_id":41537910505655,"sku":"","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/products\/1_b42ad4ef-c6e6-478d-9f03-59e0d929b15f.jpg?v=1667853238"},{"product_id":"bettina-photographs-and-works-by-bettina-grossman","title":"Bettina - Yto Barrada, Gregor Huber (Ed)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA mythical artist from New York in the 60s and 70s, living as a recluse in the Chelsea Hotel from 1972 on, Bettina Grossman – Bettina to the art world – developed a prolific body of works for more than sixty years. This monographic book is the first to present her exceptional research on photography, cinematogra phy and graphic design, nourished by the practice of conceptual sculpture. \u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eAn eccentric personality, totally dedicated to her art, Bettina resided in the Chelsea Hotel from 1972 following the fire in her studio in which she lost all her archives. Living like a recluse in this community of artists, Bettina produces and accumulates in her tiny studio a considerable body of work that is fully in line with the great history of the artistic avant-gardes of the 20th century. His pieces are suspended in the studio, hung on the walls, placed on the floor: they invade the space in a continuum leading to vertigo, the artistic gesture becomes a physical and visual experience. On the borders of abstraction, Bettina manipulates, twists, spreads, stretches matter, light and shadow. His serial practice reveals a hypnotic universe of great visual power.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdited by Yto Barrada, Gregor Huber\u003c\/p\u003e\n\u003cp\u003eTexts by Yto Barrada, artist, Ruba Katrib, curator of MoMa PS1, NYC, Antonia Pocock, PhD in art history, professor at NYC College\u003cbr\u003e\u003cbr\u003eAtelier EXB, 2022\u003cbr\u003eSoftcover, 300 pages\u003cbr\u003eEnglish\u003cbr\u003e195mm x 260mm\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"BOOKS AT MANIC","offers":[{"title":"Default Title","offer_id":41639939604663,"sku":"","price":95.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/products\/2_430dcc7c-d90c-4057-821d-c101d8fadae4.jpg?v=1673934187"},{"product_id":"river-of-forms-giuseppe-penones-drawings","title":"River of Forms : Giuseppe Penone's Drawings","description":"\u003cp\u003e\"just as our thoughts guide us and engage with the environment around us and show the conditions necessary to live and move through space and they cause other thoughts to spring up and pile over previous ones they crowd alongside jostling clashing and create the conflict necessary to endlessly analyse the world and once analysis is over we let them go and they sink down into memory settling like grains of sand layer by layer mingling together and so we find thoughts that are logical addled chaotic ascetic dull transcendent ugly obvious hidden aggressive illogical wonderful kind deep sad political cheerful spiritual progressive negative collective philosophic creative complicated fleeting generous jovial simple unexpected impure innovative nonsensical intense magical novel nostalgic arresting filthy timeworn useful magnificent unique well-pondered fearsome abrupt immediate oppressive distant rational strange sensible recurrent scientific altruistic peaceful complex...\"\u003c\/p\u003e\n\u003cp\u003eA groundbreaking look at the drawings of Giuseppe Penone and how the medium of drawing articulates the artist's wide-ranging practice\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe youngest member of the Arte Povera movement, Giuseppe Penone (b. 1947) is well known for his sculptural works, yet he has maintained a deep engagement with drawing throughout his career. \u003cbr\u003eThis comprehensive account of his works on paper emphasizes the foundational role that drawing plays in his multifaceted practice and provides in-depth analysis (aided by extensive conversations with the artist) of his techniques and materials, including such unorthodox media as coffee and adhesive tape. \u003cbr\u003eIdentifying the centrality of drawing within Penone's own exceptionally inventive body of work, and also placing it in dialogue with the work of contemporaries such as Sol LeWitt, David Hammons, and Cy Twombly, this lavishly illustrated volume provides a multidisciplinary examination of a surprisingly overlooked aspect of one of the most influential figures in international artistic circles since the late 1960s.\u003cbr\u003e\u003cbr\u003ePublished in association with the Philadelphia Museum of Art\u003c\/p\u003e\n\u003cp\u003eYale University Press, 2022\u003cbr\u003eEnglish\u003cbr\u003eHardcover, 210 pages\u003cbr\u003e229mm x 318mm\u003cbr\u003e\u003c\/p\u003e","brand":"WILEY","offers":[{"title":"Default Title","offer_id":41684972699831,"sku":"WILEY","price":85.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/products\/2_0e93372a-14fb-427a-b684-4fdaa7876234.jpg?v=1676153467"},{"product_id":"paul-thek-in-italy-1962-1976-v-da-costa","title":"Paul Thek in Italy (1962-1976) - V. Da Costa","description":"\u003cp\u003eAn essay on the Italian period (1962-1976) of the American artist, never studied before although it has deeply influenced the imagination and the work of Paul Thek.\u003c\/p\u003e\n\u003cp\u003ePaul Thek (1933-1988), one of the most distinctive American artists of the latter half of the twentieth century, always refused to be part of the artistic mainstream. From 1962 to 1976, he traveled to Italy, for multiple extended stays. In Rome, he discovered ancient sculpture, the achievements of the Renaissance, the Baroque churches, but above all the contemporary artistic effervescence of the capital. In Sicily, with his friend the photographer Peter Hujar, he was confronted with the question of death through reliquaries, religious processions or the extraordinary Capuchin catacombs. This essay sets out to analyse, for the first time, the deep influence of this Italian life on the imaginary and work of Paul Thek.\u003c\/p\u003e\n\u003cp\u003eLes Presses Du Reel, 2022\u003cbr\u003eEnglish, French\u003cbr\u003eSoftcover, 316 pages\u003cbr\u003e170mm x 240mm\u003c\/p\u003e","brand":"SONNU","offers":[{"title":"Default Title","offer_id":41699779739831,"sku":"Idea Books","price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/files\/1_caa3b148-35fd-4242-9ba8-11069e6f1b5c.jpg?v=1683608924"},{"product_id":"faux-pas-selected-writings-and-drawings-expanded-edition-amy-sillman","title":"Faux Pas. Selected Writings and Drawings (Expanded Edition) - Amy Sillman","description":"\u003cp\u003e\"Making a painting is so hard, it makes you crazy. Before even the vicissitudes of color, you have to negotiate tone, silhouette, line, space, zone, area, layer, scale, speed, and mass while interacting with a meta-surface of meaning, thought, text, sign, language, intention, concept, and history; you have to go your own way, to cut away from your heroes and influences, and still be utterly conscious and literate about the discourse. You have to simultaneously diagnose, predict and ignore the past, present and future, all at once; you have to remember and to forget at the same time.\"\u003c\/p\u003e\n\u003cp\u003eA key figure in the New York art scene, Amy Sillman is renowned for her singular approach to painting and drawing. Her writings extend a practice that challenges traditions and theoretical frameworks with criticality and humor, and advocates subjectivity: she reevaluates Abstract Expressionism with a queer eye, explores the meanings of color and shape, and discusses in depth the work of other artists—from Delacroix (and Cézanne!) to Maria Lassnig to Carolee Schneemann to Laura Owens. In Faux Pas, a collection of her most recent essays, alongside her cartoons and original drawings, art—as personal as it is political—is a practice that responds to today’s struggles.\u003cbr\u003e\u003cbr\u003eThis new, updated edition features additional texts—including a previously unpublished essay on drawing that complements Sillman’s views on color and shape—as well as new drawings from 2020-22.\u003c\/p\u003e\n\u003cp\u003eAfter 8 Books, 2022\u003cbr\u003eEnglish\u003cbr\u003eSoftcover, 300 pages\u003cbr\u003e120mmx 180 mm\u003cbr\u003e\u003c\/p\u003e","brand":"BOOKS AT MANIC","offers":[{"title":"Default Title","offer_id":41721092898999,"sku":"9782492650048GPS","price":54.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/products\/1_8c90437d-e489-43f1-9987-4c5f15b45ae5.jpg?v=1679536477"},{"product_id":"alexandru-chira-ionuț-cioana-alexandru-chira-calin-dan-malina-ionescu-diana-marincu-alexandra-titu-1","title":"Alexandru Chira -Ionuț Cioană, Alexandru Chira, Călin Dan, Mălina Ionescu, Diana Marincu, Alexandra Titu","description":"\u003cp\u003e\"Perception, sensory experience constitute true life experience, living experience. The senses are filters to access reality, knowledge. Color coats, in painting, work precisely like sensory filters. Despite its seemingly souvenir-like quality, the color was going to fix the fluff, the elementary coating found in nature. Borderline immaterial, color remains particularly important for me. It helps me fulfil my aspiration to poetry. I imagine these color coats as transparent screens for my own projections - sensory filters, mirrors, lenses to read the drawing insinuating itself as the primordial layer.\"\u003c\/p\u003e\n\u003cp\u003eAlexandru Chira’s (b. Tăușeni, Romania, 1947; d. Bucharest, 2011) oeuvre systematically and comprehensively maps a fictional field of research. His paintings, drawings, and objects, whose individual elements recall switches, screens, keyboards, and levers, were designed to “bring rain and rainbows,” to promote prosperity and prevent floods. Working in his art laboratory, Chira resembled a farmer tilling his field. He sowed symbols across his paintings, sometimes transplanted them to create new semiotic interconnections, then reaped them and stored up his harvest in painted machines of varying shapes and dimensions. In the 1990s—by then Chira held a professorship and was a widely recognised artist—he fulfilled a lifelong dream by building the “Tăușeni Ensemble,” the largest monument single-handedly created by one man in Transylvania. Much of his oeuvre accordingly consists of sketches and elaborations relating to the monument. In the course of his decades-long fascination with an agrarian aesthetic, architecture, design, astronomy, history, magic, ufology, mysticism, shamanism, and theosophy fused, yielding a kind of practical knowledge as well as spiritual speculations sustaining his endeavour.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe extensive monograph with more than 750 illustrations surveys Alexandru Chira’s output of four decades and synthesizes years of research undertaken at the National Museum of Contemporary Art in Bucharest. It contains numerous transcriptions of textual parentheses, legends, and instructions on how to decode the works and poetic fragments embedded in Chira’s pictures.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDCV, 2023\u003cbr data-mce-fragment=\"1\"\u003eEnglish, Romanian\u003cbr data-mce-fragment=\"1\"\u003eSoftcover, 416 pages\u003cbr data-mce-fragment=\"1\"\u003e235mm x 280mm\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"BOOKS AT MANIC","offers":[{"title":"Default Title","offer_id":41845776744631,"sku":"BAM21030","price":95.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/files\/2_0d414d74-4102-4a2f-820b-59c1d60e0c83.jpg?v=1686738753"},{"product_id":"mount-horeb-palestine-joseph-e-yoakum","title":"Mount Horeb Palestine - Joseph E. Yoakum","description":"\u003cdiv\u003e\u003cspan\u003eIn 1962 at the age of 71, Joseph E. Yoakum (1891–1972) reported having a dream that inspired him to draw. Thereafter the retired veteran began a daily practice and over the next 10 years produced some 2,000 works.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eYoakum was born into poverty, had very little schooling, and at an early age left home to join a circus. He wound up working with several circuses, traveling across the United States as well as abroad and becoming intimately familiar with the world’s various landscapes. These experiences would provide the foundational memories that fueled his deeply spiritual vision decades later.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eWhen he began to put that vision to paper in his apartment on Chicago’s South Side in the early 1960s, Yoakum quickly developed a unique visual language, independent and distinct from other artists in the city, such as those involved in the flourishing Black Arts Movement or the up-and-coming Chicago Imagist group. 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Despite their formal differences, both artists share a strong interest in psychological and emotional states, such as love, desire, sexuality, rejection, jealousy, murder, suicide, dependency, and abandonment. Where Holzer approaches these subjects from a more sociopolitical angle, Bourgeois derives them from her own psychic life.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eHolzer’s book is not a document of her Bourgeois exhibition but rather a parallel work that further mines the dynamic interplay between text and image in Bourgeois’ art. Working in a sumptuous oversize format, she has set up a nonlinear narrative through juxtapositions of Bourgeois’ works and writings, deploying extreme close-ups, dramatic croppings, full-page bleeds, and other devices to startle and refocus our attention on Bourgeois’ preoccupations and obsessions. 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