{"title":"Poetry","description":"","products":[{"product_id":"sorting-facts-or-nineteen-ways-of-looking-at-marker-susan-howe","title":"Sorting Facts, or Nineteen Ways of Looking at Marker - Susan Howe","description":"\u003cp\u003ePoetic musings of a powerful filmmaker.\u003c\/p\u003e\n\u003cp\u003ePoetry and cinema collide in Susan Howe’s masterful meditation on the filmmaker Chris Marker, whose film stills are interspersed throughout, as well as those of Andrei Tarkovsky.\u003cbr\u003e\u003cbr\u003eSorting word-facts I only know an apparition. Scribble grammar has no neighbor. In the name of reason I need to record something because I am a survivor in this ocean.\u003cbr\u003e \u003cbr\u003eNew Directions, 2013\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnglish\u003cbr\u003eSoftcover, 48 pages\u003cbr\u003e150mm x 230mm\u003c\/span\u003e\u003c\/p\u003e","brand":"SONNU","offers":[{"title":"Default Title","offer_id":41205730443447,"sku":"Wiley","price":22.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/products\/1_ab5fe1e9-14c2-42a8-ad50-eefd26652e8a.jpg?v=1651391817"},{"product_id":"norma-jeane-baker-of-troy-anne-carson","title":"Norma Jeane Baker of Troy - Anne Carson","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAnne Carson’s new work that reconsiders the stories of two iconic women—Marilyn Monroe and Helen of Troy—from their point of view\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003eNorma Jeane Baker of Troy is a meditation on the destabilizing and destructive power of beauty, drawing together Helen of Troy and Marilyn Monroe, twin avatars of female fascination separated by millennia but united in mythopoeic force. Norma Jeane Baker was staged in the spring of 2019 at The Shed’s Griffin Theater in New York, starring actor Ben Whishaw and soprano Renée Fleming and directed by Katie Mitchell.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003eNew Directions Publishing, 2020\u003cbr\u003eEnglish\u003cbr\u003eSoftcover, 64 pages\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e114mm x 185mm\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"UNITED","offers":[{"title":"Default Title","offer_id":41213085155511,"sku":"UNITED9781786827616","price":22.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/products\/1_fd9f833b-623d-4e9e-b8ba-0e3100200577.jpg?v=1652008702"},{"product_id":"birth-plan-lk-holt","title":"Birth Plan - LK Holt","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eBirth Plan\u003c\/strong\u003e is LK Holt’s fourth full-length collection is a generous, sharp-edged, technically masterful and expansive collection from one of Australia’s foremost female poets. These poems are transformative, fiercely feminist, unrelenting in their clarity, and display a rare mastery of the musicality of language. Exploring the realities of mothering and loving in the late Anthropocene, Holt’s work is rigorous in its exploration and evocation of psychological truths and half-truths. Fearless and darkly humorous, these are poems that turn on a phoneme and give full life and song to the shimmering uncertainties and hard realities of selfhood.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLK Holt lives in Melbourne, Australia. Her previous full-length collections are Man Wolf Man (2007), Patience, Mutiny (2010), and Keeps (2014). She is a recipient of the Kenneth Slessor Prize and the Grace Leven Prize, and has been longlisted for the Literature Society Gold Medal.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eVagabond Press, 2020\u003cbr\u003eEnglish\u003cbr\u003eSoftcover, 98 pages\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e148mm x 210mm\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"VAGABOND PRESS","offers":[{"title":"Default Title","offer_id":41240763924663,"sku":"","price":32.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/products\/1_87d191e9-a798-46ed-adc6-116bc4058d08.jpg?v=1654581334"},{"product_id":"argosy-bella-li","title":"Argosy - Bella Li","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis innovative full-length collection, drawing inspiration from the surrealist collage novels of Max Ernst, is an arresting and utterly unique assemblage of poetry, collage and photography. In two parts, the book engages with themes of travel and exploration, language and loss, identity and originality, as well as the relationship between poetry and other disciplines: the visual arts, history, literature and film. Polyglot in sensibility and content, and daring in construction, Argosy defies categorisation. Grounded firmly in Australian contemporary poetic practice, the book is also outward-looking in its approach to form and content; it constitutes a landmark in both local and international poetics.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBella Li\u003c\/strong\u003e is the author of Argosy (Vagabond Press, 2017), which was commended in the 2017 Wesley Michel Wright Prize, highly commended in the 2017 Anne Elder Award, and won the 2018 Victorian Premier's Literary Award for Poetry and the 2018 Kenneth Slessor Prize. Her work has been published in a range of journals and anthologies, including Best Australian Poems and The Kenyon Review, and displayed at the George Paton Gallery and in the Triennial of the National Gallery of Victoria.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eVagabond Press, 2018\u003cbr\u003eEnglish\u003cbr\u003eSoftcover, 180 pages\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e229mm x 152mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"VAGABOND PRESS","offers":[{"title":"Default Title","offer_id":41244884205751,"sku":"","price":42.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/products\/11_c6d89e9c-5dfc-40ae-bd6d-b8512171d147.jpg?v=1654941405"},{"product_id":"lost-lake-bella-li","title":"Lost lake - Bella Li","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFollowing on from the groundbreaking Argosy, Li's second collection Lost Lake ups the ante, taking the reader and literature alike into new reaches and realms of the imagination. Lost Lake, which exhibits Li’s distinctive use of text and image, consists of eight extended sequences of poetry, collage and photography, drawing on sources ranging from Dante’s Inferno and Steve Reich’s Different Trains, to Woman's Day magazines and the archives of artist and autodidact Joseph Cornell. Through the eight sequences of Lost Lake, geography and music, history and architecture, works of art and literature, encounter each other in striking and unexpected ways, generating new hybrid objects. Lost Lake disassembles boundaries and challenges expectations of what a work of literature can be—its alchemy blooms in the spaces between eras, genres and forms.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBella Li is the author of Argosy (Vagabond Press, 2017), which was commended in the 2017 Wesley Michel Wright Prize, highly commended in the 2017 Anne Elder Award, and won the 2018 Victorian Premier's Literary Award for Poetry and the 2018 Kenneth Slessor Prize. Her work has been published in a range of journals and anthologies, including Best Australian Poems and The Kenyon Review, and displayed at the George Paton Gallery and in the Triennial of the National Gallery of Victoria.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVagabond Press, 2018\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnglish\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSoftcover, 176 pages\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e140mm x 210mm\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"SONNU","offers":[{"title":"Default Title","offer_id":41247763005623,"sku":"","price":39.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/products\/1_53bfaf4f-7865-46d2-8b45-1978c4784b1f.jpg?v=1655266980"},{"product_id":"gap-gardening-selected-poems-rosmarie-waldrop","title":"Gap Gardening: Selected Poems - Rosmarie Waldrop","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable summary=\"Book Detail\" class=\"uploaded\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e Rosmarie Waldrop says Gap Gardening \"spans forty years of exploring the language I breathe and move in and that continues to condition me even while I try to contribute to it. It tracks my turn from verse to prose poems, to focusing on the sentence and its boundaries, my increasing reliance on collage and source texts as a way of engaging with other voices, of being in dialogue.\"Gap Gardening also traces Waldrop's growing sense of writing as an exploration of what happens in between. Between words, sentences, people, cultures. Between fragment and flow, thinking and feeling, mind and body.? For the first time, we have a complete and clear view of the work of a great and inquiring, brave and indispensable poet.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"WILEY","offers":[{"title":"Default Title","offer_id":41250786312375,"sku":"WILEY9780811225144","price":32.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/products\/1_487d2d0f-5f56-43ef-b5ec-8e53e1d046d4.jpg?v=1656563376"},{"product_id":"souls-of-the-labadie-tract-susan-howe","title":"Souls Of The Labadie Tract - Susan Howe","description":"Souls of the Labadie Tract finds Susan Howe exploring (or unsettling) one of her favorite domains, the psychic past of America, with Jonathan Edwards and Wallace Stevens as her presiding tutelary geniuses. Three long poems interspersed with prose pieces, Souls of the Labadie Tract takes as its starting point the Labadists, a Utopian Quietest sect that moved from the Netherlands to Cecil County, Maryland, in 1684. The community dissolved in 1722. In Souls, Howe is lured by archives and libraries, with their ghosts, cranks, manuscripts and scraps of material. One thread winding through Souls is silken: from the epigraphs of Edwards (“the silkworm is a remarkable type of Christ…”) and of Stevens (“the poet makes silk dresses out of worms”) to the mulberry tree (food of the silkworms) and the fragment of a wedding dress that ends the book. Souls of the Labadie Tract presents Howe with her signature hybrids of poetry and prose, of evocation and refraction:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere it is there it is—you want the great wicked city Oh I wouldn’t I wouldn’t\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s not only that you’re not It’s what wills and will not.\u003cbr\u003e\u003cbr\u003eNew Directions, 2007\u003cbr\u003eEnglish\u003cbr\u003eSoftcover, 144 pages\u003cbr\u003e152mm x 229mm\u003cbr\u003e\u003cbr\u003e","brand":"SONNU","offers":[{"title":"Default Title","offer_id":41292487327927,"sku":"","price":28.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/products\/1_aeb4d4c5-0958-4828-9fb1-1a49c7d18d63.jpg?v=1658571588"},{"product_id":"selected-poems-of-fanny-howe-fanny-howe","title":"Selected Poems of Fanny Howe - Fanny Howe","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eOne of the best and most respected experimental poets in the United States, Fanny Howe has published more than twenty books, mostly with small presses, and this publication of her selected poems is a major event.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHowe's theme is the exile of the spirit in this world and the painfully exciting, tiny margin in which movement out of exile is imaginable and perhaps possible. Her best poems are simultaneously investigations of that possibility and protests against the difficulty of salvation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBoston is the setting of some of the early poems, and Ireland, the birthplace of Howe's mother, is the home of O'Clock, a spiritually piquant series of short poems included in Selected Poems.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe metaphysics and the physics of this world play off each other in these poems, and there is a toughness to Howe's unique, fertile nervousness of spirit. Her spare style makes a nest for the soul:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eZero built a nest\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ein my navel. Incurable\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLonging. Blood too—\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom violent actions\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt's a nest belonging to one\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut zero uses it\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd its pleasure is its own\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e— from The Quietist\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUniversity of California Press, 2000\u003cbr\u003eEnglish\u003cbr\u003eSoftcover, 213 pages\u003cbr\u003e140mm x 210mm\u003c\/span\u003e\u003c\/p\u003e","brand":"SONNU","offers":[{"title":"Default Title","offer_id":41329692410039,"sku":"","price":44.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/products\/2_687ad719-7ed8-4f93-b0cb-9d6083ef1162.jpg?v=1660210218"},{"product_id":"poems-yvonne-rainer","title":"Yvonne Rainer: Poems","description":"\u003cp\u003eFrom her work in dance and choreography to her films and writings, Yvonne Rainer (born 1934) has established herself as one of the America’s greatest living artists.\u003cbr\u003e\u003cbr\u003e This first collection of her poems, which were written from the late 1970s onwards and have never before been published, affirms her ability to endow words with corporeality, propulsion and swift-moving narrative.Full of wit and candour, Rainer’s poems evoke the rhythm of an urban landscape peopled with old friends and colleagues, trying to make art or simply trying to make ends meet. Memories entangle with news headlines and conversations overheard on the subway, making the poems feel both intimate yet social.\u003c\/p\u003e\n\u003cp\u003eAccompanying the poems is a selection of black-and-white images curated by Rainer, varying from news clippings to intimate photographs from Rainer’s personal archive. Poet and critic Tim Griffin contributes an introduction.\u003cbr\u003e\u003cbr\u003eBadlands Unlimited, 2012\u003cbr\u003eEnglish\u003cbr\u003eSoftcover, 80 pages\u003cbr\u003e150mm x 230mm\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"BOOKS AT MANIC","offers":[{"title":"Default Title","offer_id":41458866585783,"sku":"Badlands Unlimited","price":27.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/products\/1_09fd53f5-6512-4fa3-9a0a-691db3e18306.jpg?v=1664455059"},{"product_id":"shifting-the-silence-etel-adnan","title":"Shifting the Silence - Etel Adnan","description":"\u003cp\u003e\u003cstrong\u003eShifting the Silence\u003c\/strong\u003e breaks the taboo around writing and speaking about our own deaths. In short, unrelenting paragraphs, Adnan grapples with the breadth of her life at ninety-five, the process of aging, and the knowledge of her own approaching death. The personal is continuously projected outwards and mirrored back through ruminations on climate catastrophe, the ongoing war in Syria, Mars missions, and Adnan’s view of the sea out of her window in Brittany in a poignant, often painful interplay between the interior and the cosmic.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNightboat Books, 2020\u003cbr\u003eEnglish\u003cbr\u003eSoftcover, 88 pages\u003cbr\u003e140mm x 203mm\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"SONNU","offers":[{"title":"Default Title","offer_id":41545871229111,"sku":"","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/products\/1_057358f8-b4ca-4852-a43c-f5d7efde1b5e.jpg?v=1668391818"},{"product_id":"london-rose-beauty-will-save-the-wrold","title":"London-rose: Beauty Will Save the World - Fanny Howe","description":"\u003cp\u003e\"People like me who move from city to city tell the story of our failure. We are seeking something that will make us laugh again and feel at home in any neighborhood. For illegal aliens, contract workers, immigrants, the world remains the soul-making machine, where we are given time to purify the quality of our invisible chemistries on our way home.\"\u003cbr\u003e—Fanny Howe, London-rose\u003cbr\u003e\u003cbr\u003eWritten in 1994 when Fanny Howe was doing itinerant work in the UK, London-rose is an early post-work novel that describes the loneliness and confusion of digital life and perpetual motion. Moving from personal narrative to philosophy to poetry, Howe previsages the alienation and malaise of the 21st century workplace. London-rose is a meditation on failure, capitalism, disapearance and force.\u003c\/p\u003e\n\u003cp\u003eDivided Publishing, 2022\u003cbr\u003eEnglish\u003cbr\u003eSoftcover, 100 pages\u003cbr\u003e139mm x 216mm \u003cbr\u003e\u003c\/p\u003e","brand":"GARDNERS","offers":[{"title":"Default Title","offer_id":41562913538231,"sku":"","price":29.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/products\/1_f71f394d-ada4-4852-b48d-8cc954aa3d7f.jpg?v=1667980413"},{"product_id":"at-the-foot-at-the-belt-of-the-raincoat-alice-notley-1","title":"At the Foot At the Belt of the Raincoat - Alice Notley","description":"\"At the Foot At the Belt of the Raincoat\" was written in 1979 in New York, Notley told me in the summer that it was a poem that Eileen Myles has asked about from time to time since Alice read it at the Poetry project in the 70’s. 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Three words come to mind: motherhood, mourning and muteness. A repertoire of intention as contradiction, that is to say, speaking against as an act of devotion. 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Ostensibly a book written to honor the season itself and the cycle of time, upon its release in France in May 1968, these notes took on a greater metaphorical meaning within this context, addressing the need for new beginnings and revolution. Translated by Jonathan Larson.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“April is not always the cruelest month. In these stray notations dated early April 1950, Ponge provides a latter-day version of Stravinsky’s Sacre du printemps or of William Carlos Williams’ Spring and All—a vernal enactment of all the resurrectional energies of a springtime-to-come, as witnessed firsthand at the farmhouse of “La Fleurie” in southern France. When subsequently published in Tel Quel in May 1968, eighteen years later, Ponge’s rural, pastoral text now acquired a specific urban history and Utopianism, its Lucretian “Nioque,” or gnosis, now speaking to the gnomic revolutionary slogans of the Left Bank barricades: “Be realistic, demand the impossible,” “Beneath the cobblestones, the beach.” Jonathan Larson’s careful engagement with Ponge manages to seize what is most prosaic about his poetry—its fierce communism of the ordinary, its insistence that taking the part of things means taking words at their most etymological everydayness.\" \u003c\/p\u003e\n\u003cp\u003e—Richard Sieburth\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“This startlingly fresh and necessary document of the 1950s by Francis Ponge comes to us via the all too rare feat of true poetic reenactment. Understanding that each poet creates language anew, Jonathan Larson has found a poetics suitable for the occasion of Ponge’s own poetic logic. In this rendering, Larson’s absolute care and attention to syllabic weight and measure, to the syntax and length of each line as it unwinds, allows us—as readers—to come into the drama of a text newly made, in other words, to discover a new poem in its very making. Yet, none of this comes at the cost of accuracy or through the subjugation of the original at the hands of one wielding the imperial language. This is no mean feat in this day and age and, by way of Larson’s exquisite ear, we are again given the poignancy and urgency of Ponge’s own moment.” \u003c\/p\u003e\n\u003cp\u003e—Ammiel Alcalay\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrancis Ponge (1899-1988) was born in Montpellier, France, and is most famously the author of The Voice of Things (1942), Soap (1967), The Making of the Prairie (1971).\u003c\/p\u003e\n\u003cp\u003eDuring the Second World War, Ponge joined the French Resistance. He also worked for the National Committee of Journalists, and was literary and artistic director of the communist weekly newspaper L'Action. He left the Communist Party in 1947. From 1952 to 1967 he held a professorship at the Alliance Française in Paris, and was a visiting professor at Barnard College and Columbia University in the United States.\u003c\/p\u003e\n\u003cp\u003eAwards made to Ponge include the Neustadt International Prize for Literature, the Académie française's French National Poetry Prize, and the Grand prix of the Société des gens de lettres, and was a Commandeur of the Légion d'honneur.\u003c\/p\u003e\n\u003cp\u003eFor the last 20 years of his life Ponge was reclusive, living at his country house in Le Bar-sur-Loup, where he died at the age of 89.\u003c\/p\u003e\n\u003cp\u003eJonathan Larson, poet and translator, was born in 1984. Nioque of the Early-Spring is his first full-length translation.\u003c\/p\u003e\n\u003cp\u003eThe Song Cave, 2018\u003cbr\u003eEnglish\u003cbr\u003eSoftcover, 80 pages\u003cbr\u003e139mm x 190mm \u003cbr\u003e\u003c\/p\u003e","brand":"BOOKS AT MANIC","offers":[{"title":"Default Title","offer_id":44837576868023,"sku":"G","price":39.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/files\/Nioque_of_the_Early_Spring_-_Francis_Ponge.jpg?v=1745652231"},{"product_id":"the-complete-haiku-of-matsuo-basho-basho","title":"The Complete Haiku of Matsuo Basho - Basho","description":"\u003cp\u003eMatsuo Bashō (1644–1694) is arguably the greatest figure in the history of Japanese literature and the master of the haiku. Bashō: The Complete Haiku of Matsuo Bashō offers in English a full picture of the haiku of Bashō, 980 poems in all. Andrew Fitzsimons’ translation is the first to adhere strictly to form: all of the poems are translated following the syllabic count of the originals. This book also translates a number of Bashō’s headnotes to poems ignored by previous English-language translators.\u003cbr\u003e \u003cbr\u003eIn Fitzsimons’ beautiful rendering, Bashō is much more than a philosopher of the natural world and the leading exponent of a refined Japanese sensibility. He is also a poet of queer love and eroticism; of the city as well as the country, the indoors and the outdoors, travel and staying put; of lonesomeness as well as the desire to be alone.\u003c\/p\u003e\n\u003cp\u003eUniversity of California Press, 2022\u003cbr\u003eEnglish\u003cbr\u003eSoftcover, 2022\u003cbr\u003e127mm x 196 mm \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"WILEY","offers":[{"title":"Default Title","offer_id":44862440014007,"sku":"WILEY978-0316354653GPS","price":30.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/files\/The_Complete_Haiku_of_Matsuo_Basho_-_Basho.jpg?v=1745651985"},{"product_id":"strange-beach","title":"Strange Beach - Oluwaseun Olayiwola","description":"\u003cp\u003e\u003cstrong\u003eStrange Beach\u003c\/strong\u003e is the debut collection from poet and choreographer Oluwaseun Olayiwola. Intimate and erotic, ecological and philosophical, the poems in \u003cstrong\u003eStrange\u003c\/strong\u003e \u003cstrong\u003eBeach\u003c\/strong\u003e illuminate the body as a porous landscape across which existential dramas, filial fractures and sexual reckonings occur.\u003c\/p\u003e\n\u003cp\u003eThe collection ventures across the same ‘Atlantic Ocean’ as Claudia Rankine’s Citizen, which is the same ‘Atlantic Ocean’ in Lowell’s Life Studies, to reveal a queer consciousness deeply steeped in poetic traditions of nuanced confession and moving abstraction. Strange Beach is geological in its accumulation of images, emotions and landscapes that stack, revolve and eschew. The resulting work transmutes messages to the mind of the reader with a feeling of cosmic intuitiveness, as emotion and intellect grapple and become forged. ‘No one can follow you here \/ not having to become something else’, observes one speaker, in this collection that reimagines how we love, grow, travel, and most of all, change.\u003c\/p\u003e\n\u003cp\u003eFitzcarraldo Editions, 2025\u003cbr\u003eEnglish\u003cbr\u003eSoftcover, 96 pages\u003cbr\u003e125mm x 197mm\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"GARDNERS","offers":[{"title":"Default Title","offer_id":44868132503735,"sku":"G","price":28.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/files\/StrangeBeach-OluwaseunOlayiwola.png?v=1745737064"},{"product_id":"the-book-ruefle","title":"The Book - Mary Ruefle","description":"\u003cp\u003eFinalist for the \u003cem\u003e\u003cstrong\u003e2024 Vermont Book Award\u003c\/strong\u003e\u003c\/em\u003e in nonfiction\u003c\/p\u003e\n\u003cp\u003eFollowing the acclaimed \u003cstrong\u003eDunce,\u003c\/strong\u003e which was a finalist for the Pulitzer Prize, comes Mary Ruefle’s latest prose publication \u003cstrong\u003e\u003cem\u003eThe Book\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eTrue to its bold title, \u003cem\u003e\u003cstrong\u003eThe Book\u003c\/strong\u003e\u003c\/em\u003e affirms Mary Ruefle’s legacy as (dubbed by Publishers Weekly) “the patron saint of childhood and the everyday.”  With the same curiosity found in \u003cem\u003e\u003cstrong\u003eMadness, Rack, and Honey\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003e\u003cstrong\u003eMy Private Property\u003c\/strong\u003e\u003c\/em\u003e, Ruefle’s prose here feels both omniscient and especially intimate. “It seems I believe in a bygone world though I no longer live there,” she writes. “Will I continue to read about all that is dusty?” In the spirit of friendship, Ruefle generously invites us to query ourselves as readers and thinkers in a world that will eventually endure without us.\u003c\/p\u003e\n\u003cp\u003eWave, 2025\u003cbr\u003eEnglish\u003cbr\u003eSoftcover, 112 pages\u003cbr\u003e146mm x 203mm\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"WAVE","offers":[{"title":"Default Title","offer_id":44975285764279,"sku":"ADS9798891060043G","price":39.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/files\/MaryRuefleTheBook.png?v=1749266204"},{"product_id":"the-golden-book-of-words-bernadette-mayer","title":"The Golden Book of Words - Bernadette Mayer","description":"\u003cp\u003e\u003cbr\u003eThis landmark early book by the late great Bernadette Mayer is finally available again. Mayer was a marvelous poet in every stage of her long and prolific writing life, but many fans especially relish her restless, powerful, sexy, and erudite early work. One of her signal elements is a deadpan wit, on full display here with classic poems such as “\u003cstrong\u003eLookin’ Like Areas of Kansas\u003c\/strong\u003e” or “\u003cstrong\u003eWhat Babies Really Do\u003c\/strong\u003e,” or the marvelous “Essay”\u003c\/p\u003e\n\u003cp\u003eI guess it’s too late to live on the farm\u003cbr\u003eI guess it’s too late to move to a farm\u003cbr\u003eI guess it’s too late to start farming\u003cbr\u003eI guess it's too late to begin farming\u003cbr\u003eI guess we'll never have a farm\u003cbr\u003eI guess we're too old to do farming [...]\u003cbr\u003eI don’t want to be a farmer but my mother was right\u003cbr\u003eI should never have tried to rise out of the proletariat\u003cbr\u003eUnless I can convince myself as Satan argues with Eve\u003cbr\u003eThat we are among a proletariat of poets of all the classes\u003cbr\u003eEach ill-paid and surviving on nothing\u003cbr\u003eOr on as little as one needs to survive\u003cbr\u003eSteadfast as any farmer and fixed as the stars\u003cbr\u003eTenants of a vision we rent out endlessly\u003c\/p\u003e\n\u003cp\u003eNew Direction, 2025\u003cbr\u003eEnglish\u003cbr\u003eSoftcover, 80 pages\u003cbr\u003e152mm x 228mm\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"WILEY","offers":[{"title":"Default Title","offer_id":45148281569463,"sku":"WIL9780811239684","price":29.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/files\/thegoldenwords_8882ff99-479b-4434-a2f0-35b32b7be1f0.jpg?v=1754529429"},{"product_id":"la-rabbia-anger-pier-paolo-pasolini-cristina-viti-translator-dominic-j-jaeckle-editor","title":"La rabbia \/ Anger - Pier Paolo Pasolini - Cristina Viti (translator), Dominic J. Jaeckle (editor)","description":"\u003cp\u003eWritten in response to producer Gastone Ferranti’s request for his comments on a set of newsreel items, the poet would respond with a montage of his own. Via the unfolding of a chrysalis of images, in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLa rabbia\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1963), Pasolini’s lens pans over Soviet repression in Hungary; the Cuban revolution; (the utopian object of) space exploration; political imprisonment in Algeria; the liberation of the former European colonies; the election of Pope John XXIII; the prospect of revolution in Africa and the Middle East; in Europe and in Latin America… Here, we’ve a panoply of photorealist intimations of Pasolini’s ‘poetic sense.’ The death of Marilyn Monroe crests as an idea in this tidal pooling of reflections, as the poet’s line lights out for conceptual rhymes and counterpoints.\u003c\/p\u003e\n\u003cp\u003eIn Viti’s translation, the weave of prose and poetry that forms\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLa rabbia\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eportrays the vitality of Pasolini’s work in its capacity to speak to both the specifics of his contexts, the character of our own present tense, and the ironic fact of a life lived against the gulf of discontent in its myriad forms. Here, we’ve a startling confrontation of a revolutionary struggle in stasis set in lines that crystallise a rallying call against blindness. ‘I’ll not have peace, not ever,’ he writes. A lucid acceptance of the poet’s restlessness, and a marker for Pasolini’s commitment to a solidarity with the oppressed that we find reaffirmed on every page, in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLa rabbia\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ethe poet charts how ‘the powerful world of capital takes an abstract painting as its brash banner’ in this unravelling of ‘crisis in the world.’\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePier Paolo Pasolini\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(1922–1975) was an Italian poet, novelist, journalist, filmmaker, theorist, and dramaturg. First and foremost a poet, he is a major figure in European literature and cinematic arts. Life in Rome during the 1950s furnished the material for his first two novels,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRagazzi di vita\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\/\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Ragazzi\u003c\/em\u003e, 1955) and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eUna vita violenta\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\/\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eA Violent Life\u003c\/em\u003e, 1959); works whose brutal reflections of urban poverty in the city were similar in character to the depictions of Rome in his debut film,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAccattone\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1961). All three works dealt with the lives of thieves, prostitutes, and other denizens of a Roman underworld. Other notable novels and narrative works in translation include the unfinished novel\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePetrolio\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(published in English in Ann Goldstein’s translation by Pantheon), a work-in-progress at the time of Pasolini’s death, and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLa lunga strada di sabbia\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\/\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Long Road of Sand\u003c\/em\u003e, a facsimile of writings towards a travelogue initially published in the magazine\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSuccesso\u003c\/em\u003e. Pasolini published numerous volumes of poetry in his lifetime, including\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLa meglio gioventù\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1954);\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLe ceneri di Gramsci\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1957);\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eL'usignolo della chiesa cattolica\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1958);\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLa religione del mio tempo\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1961);\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePoesia in forma di rosa\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1964);\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTrasumanar e organizzar\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1971); and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLa nuova gioventù\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1975). Works of poetry in English language translation include Norman MacAfee’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePoems\u003c\/em\u003e, an anthology covering the entirety of Pasolini’s ‘official publications’ (Farrar, Strauss and Giroux, 1982); Lawrence Ferlinghetti and Francesca Valente's\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRoman Poems\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(City Lights, 1986); Jack Hirschman's anthology,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIn Danger\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(City Lights, 2010); and Thomas E. Perterson’s translation of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Divine Mimesis\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(Contra Mundum, 2014), amongst others. A noted journalist and publisher, Pasolini was also a rare voice in the popular press. In 1955—in collaboration with Francesco Leonetti, Roberto Roversi and others—he edited and oversaw the publication of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eOfficina\u003c\/em\u003e, a periodical dedicated to new poetry in Italian (which ran for fourteen issues), and contributed a regular column to\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eVie Nuove\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efrom May 1960 to September 1965 (titled\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDialoghi con Pasolini\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\/\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePasolini in Dialogue\u003c\/em\u003e, subsequently published as a collated edition in 1977 as\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLe belle bandiere\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\/\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Beautiful Flags\u003c\/em\u003e). His literary works informed his cinema, and Pasolini would follow the release of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAccattone\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ein ‘61 with such noted features as\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIl Vangelo secondo Matteo\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\/\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Gospel According to Saint Matthew\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1964);\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eUccellacci e Uccellini\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\/\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHawks and the Sparrows\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1966);\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eOedipus Rex\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1967);\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMedea\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1969);\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTeorema\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\/\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTheorem\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1968);\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePorcile\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\/\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePigsty\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1969);\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIl Decamerone\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\/\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Decameron\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1971); and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Canterbury Tales\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1972). Pasolini referred to himself as a ‘Catholic Marxist’ and often used shocking juxtapositions of idea and imagery to expose the vapidity of values in modern society. His friend, the writer Alberto Moravia, considered him “the major Italian poet” of the second half of the 20th century. Pasolini was murdered in 1975.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCristina Viti\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a translator and poet working with Italian, English and French. Her most recent publication was a co-translation of poems by Anna Gréki (\u003cem\u003eThe Streets of Algiers and Other Poems\u003c\/em\u003e, Smokestack Books, 2020), and her translation of Elsa Morante’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe World Saved by Kids and Other Epics\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(Seagull Books, 2016) was shortlisted for the John Florio Prize. Previous publications include the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSelected Works\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eof Dino Campana (Survivors’ Press, 2006), including a full version of the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eOrphic Songs\u003c\/em\u003e, and excerpts from Carlo Emilio Gadda’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWar \u0026amp; Prison Journals\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNo Man’s Land\u003c\/em\u003e, Serpent’s Tail 2014). Other translations (including Amelia Rosselli, Clemente Rèbora) and\/or Viti’s own poetry have been published in various reviews (including\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eShearsman Magazine\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAgenda\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe White Review\u003c\/em\u003e, et cetera). Her Italian version of Orson Welles’\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMoby Dick—Rehearsed\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis in production with the Teatro dell’Elfo in Milan. A translation of Furio Jesi’s essays on literature, myth and revolt (\u003cem\u003eTime \u0026amp; Festivity\u003c\/em\u003e, Seagull Books 2021) is the subject of one of three video presentations on Jesi commissioned by the Italian Institute in London. Among other projects, forthcoming are translations of a collection by Luigi Di Ruscio—a poet from the Marche who, over forty years, created a prodigious body of work after his daily shifts in a steel factory in Oslo—and Luca Rastello’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Rain’s Falling Up\u003c\/em\u003e, a novel exploring the politics and spirit of the Seventies in Italy. Viti currently holds collaborative translation workshops within the Radical Translations project run by the French and Comparative Literature departments of King’s College.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003ePraise for Viti's translation of Pasolini's La rabbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePasolini’s poems thrive with passion and outrage. A 20th century Dante, he grieves at inequity, feels disgusted by corruption, and wails against the evil that people do. Pasolini doesn’t render a coming paradise, but contests hate with love, meanness with generosity, and through the reality of his beautiful poems, suggests the possibility of creating a better world.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLynne Tillman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePasolini saw what was coming, and saw the poet’s mission as an excoriation of this world to come, that has now arrived. His tremendous energy was not negative. It came from an abounding love of the world. Picturing himself like a hero from ancient days, he struggled mightily, in and against the powers arrayed against life. What he called neocapitalism already came with its own brands of neofascism. Good comrade that he was, he knew the mark of our enemies, and where to direct his rage. Here we find him in a moment when he thought the good fight might still be won. A book to give us courage.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMcKenzie Wark\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLa rabbia remains one of Pasolini’s most singular achievements, an all-consuming expression of the restless and relentless fury that defined his work and his thinking. In an age of increasingly one-dimensional political art, this most welcome volume is an urgent reminder of its dizzying possibilities.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDennis Lim\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘Today,’ we read in La rabbia, Pasolini’s remarkable set of poems composed in 1962 to accompany his film by that title, ‘only four thousand subscribers have televised moving images in their homes; in a year they will be in the tens of thousands.’ And then the poet corrects the line: ‘No—in their millions. Millions of candidates for the death of the soul.’ Sixty years later, in the age of TikTok and Instagram, those ‘candidates’ may well be in the billions. Indeed, what gives La rabbia its uncanny accuracy is that its vision, however exaggerated and extreme, might well characterise our own moment in history. Not only ‘in my country, my country that’s called Italy’ (Pasolini’s refrain), but all over the world, the ‘noble’ solutions of the late 1940s and ‘50s, with their UN charter, their Marshall Plan, and their call for No More Wars, now seem to have been little more than Band-Aids that left things pretty much as they were. Whether he is dealing with the failed Hungarian Revolution or the Algerian War, or with the ‘new problem [that] breaks out in the world. It is called colour,’ Pasolini sees the real enemy as normality—the normality or qualunquismo that accepts things as they are. In Cristina Viti’s excellent translation, Pasolini’s anger would be devastating, were it not for the proviso that poetry can change consciousness. It is poetry, La rabbia insists, that provides the counterweight to the darkness that surrounds us.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarjorie Perloff\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLa rabbia is a sequence of poems and commentary by Pier Paolo Pasolini from 1963, made to accompany a documentary of the same name—a departure from the fictionalised studies of Roman poverty that defined his earlier work. Trawling through some 90,000 metres of archive footage, the director gathered a collection of images and footage portraying recent events, including the Hungarian Revolution, the Algerian War, the Korean War and the Suez Crisis. Much of the text of La rabbia \/ Anger didn’t make the final cut; even so, with music and narration overlaid on frenetic and disturbing scenes, the film sometimes tips into overload. The words are better appreciated on their own and Cristina Viti’s fresh translation captures their grim vitality.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMark Glanville\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eThe Times Literary Supplement\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePasolini's comments on the montage of setbacks suffered by Western imperialism during the height of the 1950s to early ’60s cold war reflect both the extent and diversity of its defeats in Korea, Suez, Algeria, Cuba, Congo and Africa as well as in Vietnam and Martin Luther King’s civil rights movement which brought civil war to the streets and campuses of the US itself, and death to its citizens—King, Malcolm X and the Kennedy brothers—all viewed by capitalist US elites as “enemies within.” […] He described La rabbia as “an act of indignation against the unreality of the bourgeois world and its consequent historical irresponsibility—a record of the presence of a world that, unlike the bourgeois world, has a deep grasp of reality.” La rabbia, Pasolini’s anger, penetrates the untruths still beating in Western capitalism’s dark imperial neoliberal heart.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlistair Findlay\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eThe Morning Star\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003ca class=\"productPageHeader__publisher\" href=\"https:\/\/asterismbooks.com\/publisher\/tenement-press\"\u003eTenement Press, 2022\u003c\/a\u003e\u003cbr\u003eEnglish\/Italian\u003cbr\u003eSoftcover, 264 pages\u003cbr\u003e140mm x 210mm\u003cbr\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"SONNU ","offers":[{"title":"Default Title","offer_id":45265938383031,"sku":null,"price":46.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/files\/pier.jpg?v=1757676443"},{"product_id":"being-reflected-upon-alice-notley","title":"Being Reflected Upon - Alice Notley","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA memoir in verse from one of America's legendary poets\u003c\/p\u003e\n\u003cp\u003eIn a New York Times review of Alice Notley’s 2007 collection \"In the Pines\", Joel Brouwer wrote that “the radical freshness of Notley’s poems stems not from what they talk about, but how they talk, in a stream-of-consciousness style that both describes and dramatizes the movement of the poet’s restless mind, leaping associatively from one idea or sound to the next.” Notley’s new collection is at once a window into the sources of her telepathic and visionary poetics, and a memoir through poems of her Paris-based life between 2000 and 2017, when she finished treatment for her first breast cancer. As Notley wrote these poems she realized that events during this period were connected to events in previous decades; the work moves from reminiscences of her mother and of growing up in California to meditations on illness and recovery to various poetic adventures in Amsterdam, Berlin, Prague, and Edinburgh. It is also concerned with the mysteries of consciousness and the connection between the living and dead, “stream-of-consciousness” teasing out a lived physics or philosophy.\u003c\/p\u003e\n\u003cp\u003ePenguin, 2024\u003cbr\u003eEnglish\u003cbr\u003eSoftcover, 144 pages\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e151mm x 228mm\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"GARDNERS","offers":[{"title":"Default Title","offer_id":45274384859319,"sku":null,"price":45.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/files\/alicenotley.jpg?v=1758095632"},{"product_id":"dunce-mary-ruefle","title":"Dunce - Mary Ruefle","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShips in 5 days\u003cbr\u003e\u003cbr\u003eFINALIST for the 2020 PULITZER PRIZE\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLong listed for the 2019 NATIONAL BOOK AWARD\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLong listed for the 2019 NATIONAL BOOK CRITICS CIRCLE AWARD\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFINALIST for the 2019 LA TIMES BOOK PRIZE\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIn \"Dunce\" Mary Ruefle returns to the poetic practice that has always been at her core. With her startlingly fresh sensibility, she enraptures us in poem after poem by the intensity of her attention, with the imaginative flourishes of her being-in-the-world, always deep with mysteries, unexpected appearances, and abiding yearning.\u003cbr\u003e\u003cbr\u003eWave Books, 2021\u003cbr\u003eEnglish\u003cbr\u003eSoftcover, 104 pages\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e158mm x 215mm\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"GARDNERS","offers":[{"title":"Default Title","offer_id":45274881523895,"sku":null,"price":34.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/files\/dunce.jpg?v=1758099051"},{"product_id":"plainwater-essays-and-poetry-anne-carson","title":"Plainwater: Essays and Poetry - Anne Carson","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe poetry and prose collected in \"\u003c\/span\u003e\u003cstrong\u003ePlainwater\" \u003c\/strong\u003e\u003cspan\u003eare a testament to the extraordinary imagination of Anne Carson, a writer described by Michael Ondaatje as \"the most exciting poet writing in English today.\" Succinct and astonishingly beautiful, these pieces stretch the boundaries of language and literary form, while juxtaposing classical and modern traditions.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCarson envisions a present-day interview with a seventh-century BC poet, and offers miniature lectures on topics as varied as orchids and Ovid. She imagines the muse of a fifteenth-century painter attending a phenomenology conference in Italy. She constructs verbal photographs of a series of mysterious towns, and takes us on a pilgrimage in pursuit of the elusive and intimate anthropology of water. Blending the rhythm and vivid metaphor of poetry with the discursive nature of the essay, the writings in \"Plainwater\" \u003c\/span\u003e\u003cspan\u003edazzle us with their invention and enlighten us with their erudition.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eVintage Books, 2000\u003cbr\u003eEnglish\u003cbr\u003eSoftcover, 272 pages\u003cbr\u003e130mm x 200mm\u003c\/span\u003e\u003c\/p\u003e","brand":"GARDNERS","offers":[{"title":"Default Title","offer_id":45281698676919,"sku":null,"price":39.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/files\/carson.jpg?v=1758160529"},{"product_id":"runes-and-chords-alice-notley","title":"RUNES AND CHORDS - Alice Notley","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEphemeral and anarchic, \"Runes and Chords\" is the first collection of artwork by famed poet, critic and artist Alice Notley.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThese sketches, drawn on an iPad and first serialized on Notley’s Twitter feed, are a fascinating window into an evolving practice, collages of flowers and poetry, the white space of digital creation and overlaid colors erupting from the page. They defy containment and category, much like their creator—each a second in a day, an afternoon or evening in Paris, a thought so transient it can only exist in the medium of social media. With this collection, one of America’s most influential living poets and artists continues to prove her worthiness of that title.\u003cbr\u003e\u003cbr\u003eArchway Editions, 2023\u003cbr\u003eEnglish\u003cbr\u003eSoftcover, 108 pages\u003cbr\u003e177mm x 177mm\u003c\/p\u003e","brand":"SONNU ","offers":[{"title":"Default Title","offer_id":45281722073271,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/0849\/1447\/files\/runes.jpg?v=1758162493"},{"product_id":"manimal-woe-fanny-howe","title":"Manimal Woe - Fanny Howe","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePRE-ORDER\u003cbr\u003e\u003cbr\u003eFanny Howe's \"Manimal Woe\" \u003c\/span\u003e\u003cspan\u003emaps the intersection between history and family as few books have. 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